Arts and Literature Events
November 01, 2012 // 6:00pm — 8:00pm
Kennan Institute/Harriman Institute Ukrainian Literature Series // Vasil Gabor, writer, Lviv, will read and discuss some of his latest works and writings. Please note: A reception precedes the event at 5:30 PM.
October 26, 2012 // 6:00pm — 9:00pm
This is a special exhibition to coincide with the 18th Inuit Studies Conference at the Smithsonian Institution, October 24-28, 2012. The exhibition will be on the 4th floor of the Wilson Center from October 26, 2012-January 31, 2013.
[POSTPONED UNTIL FURTHER NOTICE] Regional Educational Politics in Russia 20 Years after the Collapse of the USSR
October 23, 2012 // 3:30pm — 5:30pm
NOTE: This event has been postponed until further notice. || Alexandr Rusakov, Rector, Yaroslavl State University; Igor Kiselev, Professor and Chair of Sociology, Department of Social and Political Sciences, Yaroslavl State University, and former Fulbright-Kennan Institute Research Scholar
October 01, 2012 // 4:00pm — 5:30pm
History and Public Policy Program
Steven Ross challenges the commonly held belief that Hollywood has always been a bastion of liberalism. The real story, he argues, is far more complicated. First, Hollywood has a longer history of conservatism than liberalism. Second, and most surprising, while the Hollywood Left was usually more vocal and visible, the Right had a greater impact on American political life, capturing a senate seat (Murphy), a governorship (Schwarzenegger), and the ultimate achievement, the Presidency (Reagan).
May 30, 2012 // 10:00am — 12:00pm
Project on Leadership and Building State Capacity
Women’s Leadership in Post-Conflict Liberia: My Journey book launch with Author Olubanke King-Akerele, former Minister of Foreign Affairs in Liberia and Special Keynote Address from Liberian President Ellen Johnson-Sirleaf via video-conference.
May 14, 2012 // 12:00pm — 1:00pm
“Were the performing arts in imperial Russia an outlet for opposition politics or ideas? The historiography of the era predicts the answer is yes, but the reality is actually the opposite,” said Paul du Quenoy, Associate Professor, Department of History and Archeology, American University of Beirut, at a 14 May 2012 Kennan Institute lecture. Presenting the research behind his book, Stage Fright: Politics and the Performing Arts in Late Imperial Russia, du Quenoy contended that theatrical artists and artistic institutions of the era avoided politics, or were at least resistant to staging productions critical of the state.
February 27, 2012 // 12:00pm — 1:00pm
Kyiv needs a clear policy to balance its ancient history and rapid contemporary development. Dr. Moussienko will portray Kyiv as an arena of the various concepts metropolis development and expose the multifunctional role of public arts--from aesthetical to social. She underlines the role of the art as a factor in various social movements dedicated to preserving the historical face of Kyiv.
February 15, 2012 // 4:00pm — 5:30pm
United States Studies
Please join us for the fifth lecture in “The Past, Present, and Future of U.S. Women’s History” lecture series, a joint venture between the The National Women’s History Museum (NWHM) and the Woodrow Wilson Center.
December 05, 2011 // 12:00pm — 1:00pm
Russia has a long, complicated history with jazz, reaching back to the 1920s. Since the collapse of the Soviet Union, Russian jazz has been undergoing a fertile period of revitalization, both in the classroom and on the bandstand. In 2011, Larry Appelbaum traveled to Russia to meet with academics, critics, broadcasters and musicians in order to consult on the vision and planning for a Russian Jazz Archive and Research Center. He will discuss the challenges, prospects and progress toward the opening of the archive, scheduled for 2012 in Yaroslavl.
November 28, 2011 // 12:00pm — 1:00pm
This illustrated talk will explore why Tolstoy continues to be such a politically explosive figure in Russia today. As well as providing an overview of the writer’s often fraught relationship with the Tsarist regime, it will show how the Soviet government systematically sought to suppress his religious and philosophical legacy after 1917, and how the Kennan Institute played a crucial role in preserving it.