The end – as Nomvuyo Ngcelwane would recall decades later in her memoirs Sala Kahle District Six: An African Woman’s Perspective – proved to be unremarkable. One early October day in 1963, an ungainly truck rumbled up to 22 Cross Street in Cape Town’s District Six, in the heart of one of the most diverse neighborhoods on the African continent.
The quiet Russian provincial city of Yaroslavl would hardly appear to be a hotbed of jazz. Located around 160 miles north east of Moscow on the Volga River, the city retains a charming historic center shaped by Catherine the Great’s planners in the eighteenth century, and embellished by the region’s wealthy merchants in the nineteenth.
History will be made at the Kennedy Center’s Eisenhower Theater on the e
On the evening of December 30, 2014 -- just as two dozen or so patrons were settling into their seats at a purposefully ramshackle basement theater in central Moscow to watch a film about the ongoing conflict in Ukraine -- police officials and a television crew entered the hall, declared a bomb threat, and asked everyone to evacuate. Despite the declared urgency that a bomb might go off, the police checked and recorded the documents of everyone in the audience and requested that they wait in paddy wagons parked outside for their own protection. When questioned about the wisdom of taking 4
Synetic Theater has another hit on its hands with its new production of Beauty and the Beast. “It gives you goosebumps,” writes the website Broadway World; “A lush, almost feverish theatrical experience, impressive to see and satisfying,” gushes Talkin’ Broadway blog; “fresh and frightening,” declares the Washington City Paper; and “graphically clever” as well as “bewitchingly ideal conveyance,” notes the doyen of Washington critics Peter Marks in the Washington Post.
Just eight years after establishing a powerful military regime that would last 26 decades, Shogun Tokugawa Ieyasu became so disturbed by a troupe of itinerate actors that he expelled them from his Suruga military base. The group performed in a popular new style known as “kabuki.” To critical observers such as Ieyasu and his coterie of military strong-men, kabuki dancing consisted of women of ill-repute showing themselves off to potential customers. While an overly simplistic characterization, early kabuki performance seemed to many to be primarily about sell
On a recent pleasant summer evening, my wife and I found ourselves at Washington’s Southwest Waterfront listening to a free sunset concert by one of the fabulous jazz divas of our times, Washington’s Sharón Clark. Sharón, who packs important clubs from Broadway to Irkutsk and is frequently compared by critics to Sarah Vaughn, was performing before people who know and appreciate what a special singer she is.