55. National Identity and Cultural Self Definition: Modern and Postmodern Romanian Artistic ExpressionJul 07, 2011
The scope of this analysis is to discuss the extent of change of post-communist Romania’s cultural society in its self-definition, with its reclaimed national independence and its greater exposure to Western ideas, as well as the extent to which it parallels inter-war national identity developments. Some of the issues addressed include the following: How have globalization and modernization affected Romanian artistic expression in the post-1989 period? To what extent is contemporary Romanian artistic expression using the language of modernity to perpetuate old symbols of national identity?
This paper analyzes the disintegration of communism in Poland and the formation of a new socio-economic and political system. The actions of political elites have been pivotal in this process. One of the basic conclusions of the analysis that follows is that, because of the weak articulation of the structures of civil society, political elites were not subjected to precise social demands and pressures.
On December 4, 2003, the Latin American Program and the Centro de Estudios Legales y Sociales co-sponsored a second conference on "Argentina-United States Bilateral Relations: An Historical Perspective and Future Challenges," held at the University of Buenos Aires in Argentina. This book contains an edited version of the panelists' presentations.
21. The Ideology of Illiberalism in the Professions: Leftist and Rightist Radicalism among Hungarian Doctors, Lawyers, and Engineers,1918-45Jul 07, 2011
In the period between the two world wars, Hungary's professions were transformed from a politically liberal and professionally oriented elite into an illiberal pressure group attracted to radical politics. This metamorphosis of the professions contradicted the expectations of many analysts of modernization who viewed the professions as the most secure element of Western liberal culture. The professional elites of Eastern and Central Europe defied this kind of sociological optimism. They increasingly turned from being allies of the liberal state into the partners of illiberal movements and governments. Already in the 1930s, this transformation gave birth to a new, more pessimistic school of thought on the professions.
This paper examines the conditions under which the so-called Soviet model of industrialization was introduced into East Central Europe. While it is difficult to define direct Soviet economic policy, one can discern the Soviet interest and its direct economic impact by analyzing Czechoslovakia and Romania in terms of both their internal development and their relations with the Soviet Union. No doubt, the primacy of politics is the main component of the Soviet relationship to East Central Europe; this paper, however, will focus on the economic side of that relationship.
November 1999 - A decade later, the events of 1989 have lost none of their capacity to astonish. The sheer possibilities open at that time are enough to baffle even the knowledgeable observer. For those of us who lived through these events as they happened and had a certain role in shaping them, the enormity of what transpired that fateful year becomes even more amazing with the passage of time.
Edited by Cynthia J. Buckley and Blair A. Ruble, with Erin Trouth Hofmann
October 1997 - Why did the Yugoslav state end? And why was its dismemberment violent? One approach to answering these questions is to compare Yugoslavia with Czechoslovakia and the Soviet Union--the other two states in the region that broke apart following the collapse of Communist Party rule, but significantly did so in a peaceful manner.
The shift from a German to a Hungarian theater culture has been told in different ways: This author analyzes three examples of this: 1) the nationalist linguistic focus on the making of texts and the theater as a forum for Magyarization; 2) the National Theater in Budapest as an institution-the building itself as an icon of Hungarian political identity; and 3) the role of the crowd in diffusing the significance of the theater, now simply one voice in the multiplicity of the metropolis.
This author asserts that symbolically, the new Polish republic will be regarded as a direct continuation of the prewar republic: what existed in the period between them will be enclosed in historical parentheses. This article examines what the reason is for this East European preoccupation with the past? Why do people get so excited when trying on this or that antiquated garb or disposing of the garbage of the past?