55. National Identity and Cultural Self Definition: Modern and Postmodern Romanian Artistic ExpressionJul 07, 2011
The scope of this analysis is to discuss the extent of change of post-communist Romania’s cultural society in its self-definition, with its reclaimed national independence and its greater exposure to Western ideas, as well as the extent to which it parallels inter-war national identity developments. Some of the issues addressed include the following: How have globalization and modernization affected Romanian artistic expression in the post-1989 period? To what extent is contemporary Romanian artistic expression using the language of modernity to perpetuate old symbols of national identity?
January 2001- The results of the presidential and parliamentary elections in Romania in November- December 2000 came as a surprise to those unaware of the sharp decline in popularity of both President Emil Constantinescu and the Democratic Convention (CDR), the coalition that swept him into office in the November 1996 elections.
In this paper, the author examines the case of the Romanian Communist Party (RCP) and its most recent leader. Until the violent upheaval of December 1989, the RCP epitomized adamant anti-reformism. Its complete collapse cannot be explained without reference to its Obstinate refusal to engage in de-Stalinization.
A defining moment during my two-year stay in Romania, struggling with the archives there, occurred when an American history doctoral student, who was in Romania on a Fulbright grant, turned to me one day and earnestly asked why on earth I would ever pick Ana Pauker as a subject for a biography. He evidently failed to see the irony in his question, since he was writing a biography of Ion Antonescu, the wartime dictator of Romania.
December 1997 - Since the early 1990s, much of Romania's cultural politics has revolved around two crucial questions that have divided political and cultural elites in the region for much of this century. First, what does it mean to be Romanian in an ethnic or national sense? And second, how do non-Romanians fit into the politics of a country that is defined in the first sentence of its constitution as a "national and unitary" state? In other words, how does "Romanianness" relate to the boundaries of the Romanian state? Nowhere are these issues as strikingly revealed as in the politics of language. Many of these questions have equal importance in the "other" Romanian state, the Republic of Moldova, although the Moldovan case provides some instructive contrasts.
CWIHP Working Paper No. 43
In CWIHP e-Dossier No. 5, translated Romanian documents shed new light on the December 1989 toppling and execution of Romanian dictator Nicolae Ceausescu.
CWIHP e-Dossier No. 6
Gheorghiu-Dej and the Romanian Workers' Party: From de-Sovietization to the Emergence of National CommunismJul 07, 2011
CWIHP Working Paper No. 37
Purifying the Nation is a provocative new exploration of the Holocaust in World War II Romania. Vladimir Solonari argues that the persecution of Jews and Roma by the Romanian government was not a response to pressure from Nazi Germany, but rather stemmed from the vision of an ethnically pure Romania which was traditional to Romanian nationalism.