Society and Culture Publications
October 1998 - Clashes between Catholics and Jews in Poland are again in the news. Since last spring, a series of confrontations between religious radicals has occurred at the Auschwitz death camp in Oswiecim. Thus far, all attempts to resolve the controversy surrounding the placement of Christian religious symbols at the site have failed. Why has the unauthorized display of crosses at Auschwitz escalated to an international incident? What makes this such an intractable issue? This problem results from the intertwining of religious social action and political activity in Poland since 1989. In fact, the current controversy is a way of illustrating the contemporary dynamics of religion and politics in Poland. These dynamics can be broken into four aspects: the international dimension, church-state realignment, tensions within the Catholic hierarchy, and the differentiation of the Catholic community.
55. National Identity and Cultural Self Definition: Modern and Postmodern Romanian Artistic ExpressionJul 07, 2011
The scope of this analysis is to discuss the extent of change of post-communist Romania’s cultural society in its self-definition, with its reclaimed national independence and its greater exposure to Western ideas, as well as the extent to which it parallels inter-war national identity developments. Some of the issues addressed include the following: How have globalization and modernization affected Romanian artistic expression in the post-1989 period? To what extent is contemporary Romanian artistic expression using the language of modernity to perpetuate old symbols of national identity?
These four papers analyze evolving patterns in the Baltics with regard to ethnic relations. The authors examine considerations for Baltic unity, as well as issues specific to the three countries. In Estonia, the author considers the effect of the country's declaration of independence on ethnic and economic stability. Another author discusses issues of nationhood in Latvia in 1993, while the final author examines the role of Russians in Lithuania.
Hungary is one of those countries which, starting from a semi-peripheral position, have for centuries tried to catch up with the west. And it is a country which has failed at it again and again. Its elites have drawn up and tried to implement program after program. They have devised new economic and social models, failing again and again. This paper analyzes the emergence of an "alternative society" in Hungary since the 1950s. What do we mean by an "alternative society"? Or a "second society"? Does one really exist? And if it does, what is it like? What are its origins? What role has it played? How does it relate to the official, "first society"? What are the prospects for its further development?
To assess the state of public policy education in Latin America, the Wilson Center launched a research project to survey the institutional capacity for graduate level training in public policy in Latin America and the United States. This publication is the result and offers an overview of public policy education in Latin America while providing a groundwork for future efforts to improve its quality in the region.
Click to see the table of contents, or download the full PDF below.
March 2006 - Among the wealth of ethnic media outlets in Eastern Europe, the Romani media has grown faster than all others despite small audiences, poverty, illiteracy and the absence of cultural, linguistic, political and social cohesiveness of their natural constituency in the region. Consequently, except for their potential symbolic value, the growth of the Romani media appears to defy the customary functions, roles and effects of minority media: to aid in minority identity creation, cultural preservation and political participation.
The shift from a German to a Hungarian theater culture has been told in different ways: This author analyzes three examples of this: 1) the nationalist linguistic focus on the making of texts and the theater as a forum for Magyarization; 2) the National Theater in Budapest as an institution-the building itself as an icon of Hungarian political identity; and 3) the role of the crowd in diffusing the significance of the theater, now simply one voice in the multiplicity of the metropolis.
This paper examines the market changes which developed in Poland in the late 1950s, where one could observe small-scale, timid changes in the traditional communist view toward free enterprise. One of the results of political liberalization was a drastic reduction in the numbers of secret police, party bureaucrats, and censors. Many former guardians of communist morality, now deprived of their posts and Privileges, succumbed to the temptations of Mammon and established small industrial enterprises, shops, and brokerage agencies themselves. Moreover, it now seems that the Party authorities, silently and discreetly, fully supported these undertakings, treating them as a safe and simple safety valve to release the anger and frustrations of forcIbly retired apparatchiks and as a reward for their faithful service.