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Walls in Ukraine: Art before and after the Euromaidan Revolution

The Berlin Wall, marking the “line of freedom,” has moved to the borders of Ukraine, Petro Poroshenko observed in an interview in May 2014. Before the current situation in Ukraine, there was a revolution. Now, newly gained freedoms are paid for with an ongoing crisis. How do artists reflect the political turmoil and societal rifts in their art? What are the roles of artists and the arts in Ukraine’s national crisis? Three prominent supporters of the arts in Ukraine will discuss these questions and more one year after the Euromaidan Revolution began.

Date & Time

Tuesday
Dec. 2, 2014
9:00am – 10:30am ET

Location

5th Floor, Woodrow Wilson Center
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Overview

A panel discussion cosponsored by the Kennan Institute and Goethe Institut
The Berlin Wall, marking the “line of freedom,” has moved to the borders of Ukraine, Petro Poroshenko observed in an interview in May 2014. Before the current situation in Ukraine, there was a revolution. Now, newly gained freedoms are paid for with an ongoing crisis. How do artists reflect the political turmoil and societal rifts in their art? What are the roles of artists and the arts in Ukraine’s national crisis? Three prominent supporters of the arts in Ukraine will discuss these questions and more one year after the Euromaidan Revolution began.

Photo © PinchukArtCentre 2014. by Sergey Illin.
Zhanna Kadyrova – «Untitled», 2014, cut out burnt wall, wallpaper

 

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Hosted By

Kennan Institute

The Kennan Institute is the premier US center for advanced research on Russia and Eurasia and the oldest and largest regional program at the Woodrow Wilson International Center for Scholars. The Kennan Institute is committed to improving American understanding of Russia, Ukraine, Central Asia, the Caucasus, and the surrounding region though research and exchange.  Read more

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